Así hicimos «La plaza» con Wan 3.0 en Videazo: tres imágenes de referencia, un prompt escrito como orden de rodaje y una sola generación. Voz, acento, sonido y cámara en mano, todo de una.
Lo que cuesta el mismo video de 30 s con sonido, en dólares y con el plan mensual de cada plataforma. Seedance 2.5 sigue siendo la opción cuando necesitas muchas referencias o editar un video que ya tienes.
un video de 30 s con sonido · usd
Wan 3.0 en VideazoUSD 7,25
892 créditos
Seedance 2.5 en VideazoUSD 21,49
2.645 créditos · 3,0 veces wan 3.0
Seedance 2.5 en Higgsfield≈ USD 23,52
480 créditos de higgsfield · 3,2 veces wan 3.0
con plan mensual · creador en videazo: usd 39 por 4.800 créditos · plus en higgsfield: usd 49 por 1.000 créditos
Característica
Wan 3.0
Seedance 2.5
Duración por video
2 a 30 s
4 a 30 s
Resolución máxima
1080p
1080p
Imágenes de referencia
Hasta 10
Hasta 30
Videos y audios de referencia
5 y 5
10 y 10
Voz y sonido
Sí
Sí
Editar o alargar un video
No
Sí
Usa Wan 3.0
Para tomas largas de una sola pieza, vlogs, personajes que hablan a cámara y piezas de 30 s para Reels y TikTok donde cada segundo cuenta en el presupuesto.
Usa Seedance 2.5
Cuando la escena pide más de 10 referencias, o cuando quieres editar, cambiar o alargar un video que ya tienes.
Sin plan, a valor base (1 crédito = USD 0,01), el video a 1080p sale en USD 8,92 con Wan 3.0 y en USD 26,45 con Seedance 2.5.
Higgsfield cobra Seedance 2.5 a 16 créditos por segundo en 1080p y a 7 en 720p, según su tabla del 20 oct 2026. Con otro plan, el precio cambia.
Precios del 7 nov 2026; el exacto lo ves en Arena antes de generar. Wan 3.0 Prime da lo mismo y responde más rápido, pero cuesta más (1.374 créditos por 30 s a 1080p).
Antes de generar el video hicimos tres imágenes fijas con Nano Banana 2.1: una hoja por personaje (de frente, de espaldas y un retrato) y una foto del lugar. Wan 3.0 las recibe como Image 1, 2 y 3 y las pone en movimiento sin cambiar caras, ropa ni lugar.
image 1 protagonistaimage 2 don chuchoimage 3 la plaza
Toca cada clave para verla dentro del prompt real de «La plaza».
Va de primera y en mayúsculas: 30 segundos seguidos, sin cortes ni fundidos. Si no lo dices claro, el modelo mete un plano nuevo a mitad del video.
prompt-la-plaza.txt
ONE CONTINUOUS 30-SECOND TAKE. No cuts, no edits, no transitions, no fades, no change of shot anywhere in the clip: a single uninterrupted handheld camera that walks with the protagonist from the first frame to the last, natural micro-tremor and uneven walking steps; every change of framing happens physically through the operator's movement, a quick handheld pan or a quick optical zoom within the same continuous shot. Shot on 35mm film, Kodak Vision3 250D: fine grain, warm halation on highlights, soft contrast, milky blacks. Natural late-morning light: warm shafts of sun with floating dust coming through the skylights of a tin roof, the stalls in soft shade, hard sunlight at the open end of the aisle. Palette: saturated fruit yellows, oranges and greens against worn grey concrete and faded blue and green wood. Vertical 9:16. All dialogue in Colombian Spanish with a warm Medellín paisa accent (acento paisa de Medellín, Colombia), natural, relaxed and playful, like neighbours joking; no other language. The word "Videazo" is pronounced "vi-de-A-so", stress on the A. No burned-in subtitles, no on-screen text, no logos, no added music. Realistic market sound: chatter, distant salsa from a small radio, plastic bags, a knife slicing fruit, footsteps on damp concrete. The operator's hands and the camera are never visible.
Protagonist: the young woman from Image 1, exactly as in the image: a Colombian woman in her late twenties, warm medium-brown skin, long thick dark-brown wavy hair worn half-up with a small claw clip, dark brown eyes, small gold hoop earrings, an oversized tangerine-orange short-sleeve linen shirt worn open over a white ribbed tank top, light-wash wide-leg jeans, white canvas sneakers. Same face, hair, outfit and body in every frame.
Vendor, don Chucho: the older man from Image 2, exactly as in the image: around sixty, completely bald with a smooth tanned scalp, thick grey moustache, weathered skin, faded light-blue short-sleeve shirt, worn navy-blue bib apron with a notepad and a pen in the pocket, thin silver chain with a small cross. Same face and outfit in every frame. Deadpan and serious the whole time.
Location: the covered fruit market aisle from Image 3, exactly as in the image: a long straight aisle of damp grey concrete, old wooden stalls painted faded blue and green piled with mangoes, papayas, granadillas, mandarins, limes, pineapples and yellow pitahayas, plastic cups of sliced green mango, hanging bunches of plantains and old hanging scales, red and blue plastic crates, a high tin roof with skylights, and a bright sunlit opening at the far end. A few shoppers and vendors move naturally in the background and ignore the camera.
The take opens on a close-up of the protagonist at a fruit stall on the left, holding a small plastic cup of sliced green mango with salt and lime; she takes a bite, laughs, and asks the operator off-screen: "¿Ya está grabando?" She nods, "Listo," and says straight into the lens: "Treinta segundos, una sola toma, sin cortes." She turns and walks down the aisle and the camera follows one step behind her with uneven handheld steps; without stopping she taps a pyramid of mandarins with her free hand and says over her shoulder: "Esto es Wan tres punto cero: voz, sonido y cámara en mano, todo de una." The camera whips right in one quick handheld pan to don Chucho behind his stall, stacking granadillas; without looking up he rubs his bald head with one hand and says, completely deadpan: "¿Sin cortes? Como yo, mija. Desde el noventa y ocho." The camera pans back left to find the protagonist two steps ahead, cracking up; she calls to him: "¡Don Chucho, salga en el video!" The camera swings back to don Chucho, who lifts one granadilla toward the lens, dead serious: "Que me paguen primero." The camera turns back to the protagonist, who laughs and keeps walking toward the bright open end of the aisle; the camera follows her out of the shade into the sun in the same continuous movement, the exposure simply settling as they cross into the light, no fade, no white frame. She stops, turns to face the lens in a medium close-up, sun on her face and the busy market behind her, and says clearly and warmly: "Wan tres punto cero ya está disponible en Videazo." She points at the lens with a grin: "Videazo punto si." She holds the smile and the take ends on her.
prompts de las referencias
Lospromptsdelreparto. Cópialosycambialapersona.
Fondo gris, luz pareja y tres vistas de la misma persona: con eso la cara y la ropa se sostienen los 30 segundos. El lugar va en una foto vertical, con la misma película y la misma luz que el video.
Protagonista
image 1 · nano banana 2.1 · 16:9 · 2k
Character reference sheet: three photos side by side in one wide 16:9 image, separated by thin white gaps, on a plain seamless medium-grey studio background. Soft, even studio lighting, photorealistic, natural skin texture, sharp focus.
Panel 1 (left): full body, front view. She stands straight, arms relaxed at her sides, looking at the camera with a calm, neutral expression.
Panel 2 (middle): full body, back view, same pose, showing her hair from behind.
Panel 3 (right): close-up portrait from the chest up, front view, warm open smile, looking straight into the camera.
The same woman in all three panels: a Colombian woman from Medellín in her late twenties, mestiza, warm medium-brown skin with natural texture and a couple of tiny beauty marks, slim-athletic build, medium height. Long, thick dark-brown hair with natural loose waves, worn half-up with a small claw clip, a few loose strands framing her face. Dark brown expressive eyes, thick natural brows, defined cheekbones, full lips with a soft rosy-brown natural finish. Minimal makeup, small gold hoop earrings.
Outfit: an oversized short-sleeve linen camp-collar shirt in bright tangerine orange (hex #FF9A1F), worn open over a fitted white ribbed cotton tank top; high-waisted light-wash wide-leg jeans; clean white low-top canvas sneakers. No logos, no prints, no text on any garment.
Face, hair and outfit are exactly identical in every panel. No text, no logos, no props, no other people.
Don Chucho
image 2 · nano banana 2.1 · 16:9 · 2k
Character reference sheet: three photos side by side in one wide 16:9 image, separated by thin white gaps, on a plain seamless medium-grey studio background. Soft, even studio lighting, photorealistic, natural skin texture, sharp focus.
Panel 1 (left): full body, front view. He stands straight, arms relaxed at his sides, looking at the camera with a calm, neutral, deadpan expression.
Panel 2 (middle): full body, back view, same pose, showing the back of his bald head and the apron ties.
Panel 3 (right): close-up portrait from the chest up, front view, serious deadpan expression with no smile, looking straight into the camera.
The same man in all three panels: a Colombian fruit vendor from Medellín, around sixty years old, completely bald with a smooth sun-tanned scalp, a thick grey moustache, weathered warm-tan skin with deep smile lines and a few sun spots, short and broad-shouldered with a small belly. Dark eyes under heavy grey brows.
Outfit: a faded light-blue short-sleeve cotton button-up shirt with the top button open, a worn navy-blue canvas bib apron with a front pocket holding a small notepad and a pen, brown work trousers, worn black leather shoes, a thin silver chain with a small cross.
Face, head and outfit are exactly identical in every panel. No text, no logos, no props, no other people.
La plaza
image 3 · nano banana 2.1 · 9:16 · 2k
Photorealistic cinematic photo, vertical 9:16, eye level, shot on 35mm film (Kodak Vision3 250D: fine grain, soft contrast, warm halation on highlights). The central aisle of a traditional covered fruit market (plaza de mercado) in Medellín, Colombia, late morning, nobody in the foreground. A long straight aisle of worn grey concrete floor, damp in places, runs from the foreground toward a bright open end in the far distance where hard sunlight pours in from the street. On both sides, old wooden stalls painted in faded blue and green, piled high with fruit in neat pyramids: yellow mangoes, papayas, orange granadillas, mandarins, lulos, pineapples, limes, yellow pitahayas, and plastic cups of sliced green mango. Hanging bunches of plantains, old hanging scales, plastic baskets and wooden crates. A high corrugated tin roof with skylights lets warm shafts of light with floating dust into the aisle while the stalls sit in soft shade. A few shoppers and vendors far in the background, natural and unposed. No legible text, no brand logos.
hazlo en videazo
Tutomaentrespasos. TododentrodeArena.
01
Haz las referencias
En Arena elige Nano Banana 2.1, pega los prompts de las hojas y cambia la persona, la ropa y el lugar por los tuyos.
02
Escribe la toma
Copia el prompt del video y cambia el lugar, los personajes y los diálogos. Deja igual la parte de toma única, cámara en mano y sonido.
03
Genera con Wan 3.0
Sube las imágenes en orden (Image 1, 2 y 3), elige 9:16, 30 s y 1080p, y apaga «Mejorar el texto» para que respete tu guion palabra por palabra.
